#ABLETON LIVE 11 LITE MOD#
#ABLETON LIVE 11 LITE UPDATE#
#ABLETON LIVE 11 LITE UPGRADE#
#ABLETON LIVE 11 LITE PLUS#

You then simply drag markers back and forth to indicate where you want to switch between your takes. Basically each take is a 'clip' (that will make sense to existing Ableton users) and they're grouped as take lanes under the main track in arrangement view. And you can get creative with comping to create harsh glitchy juxtapositions or to just pullout the best parts of a jam.Ĭomping works with both audio and MIDI too, so whether you're trying to nail a vocal, a guitar solo or a complicated chord progression with a VST there's something to be taken advantage of. Plus, this is a feature that many other DAWs have had for quite sometime, so Ableton is actually playing a bit of catch up here. (I can already hear a bunch of purists screaming 'that's cheating', but they're wrong.) Now, I'm fully willing to admit my technical skills as a musician are mediocre at best and I can be a bit sloppy, so just being able to record eight takes in a row without stopping is huge. This simply allows you to record multiple takes of the same section of a song without stopping and then combine the best parts easily. The other headlining feature, at least for me, is comping. It's intuitive and simple, and might even convince a few more people to embrace MPE once they've gotten a taste of what it has to offer. These allow you to dive in and manually tweak pitch bends, modulation and aftertouch on a per-note basis, just like you would any other automation lane.

You can still take advantage of many of MPE's features even if you don't have a compatible controller by using Ableton's new expression editing tools. Especially since, in my experience, your settings will need a lot of fine tuning to make the most of MPE and this really simplifies the process. I want to connect my Morph or Roli and just have it work as expected. I don't want to spend an hour building custom mapping for every virtual instrument. This might sound minor, but I think one of the barriers to adoption of MPE controllers is getting them to play nice with non-MPE software. To be clear, you could always do this, but it's just a lot easier to get set up now.

#ABLETON LIVE 11 LITE MOD#

So, for example, you could fire up Ableton's Analog, tick a couple of boxes in MPE Control and slide your fingers around to trigger pitch bends and move the mod wheel. MPE Control also lets you take advantage of some of the tools available to you on an MPE controller, even if the instrument you're using doesn't support it. These let you decide how exactly you want various MPE functions to be used and map them quickly and easily. Ableton also included MPE Control and Expression Control devices, which you'll find under MIDI Effects. You can find presets under 'MPE Sounds' in the browser if you want to quickly dabble and explore.

#ABLETON LIVE 11 LITE UPDATE#

(They also couldn't be more different from a sonic standpoint.)Ībleton was smart enough to update a few of its stock instruments to support MPE too, like Wavetable and Sampler. I mention those two in particular because they've been my go-to testbeds for exploring MPE. That means instruments that respond to MPE like Arturia's Pigments and sonicLAB's Fundamental can be that much more expressive when paired with the right controller, like the Sensel Morph. Bitwig has it, Logic has it, even Garage band has it. Ableton Live is one of the last major DAWs to add support for MIDI polyphonic expression. Lets start with arguably the marquee feature - MPE support. Here's a quick overview of what's new and the standout features (to me).

#ABLETON LIVE 11 LITE UPGRADE#

So if your machine was already struggling after the last big update, you might want to wait until you can upgrade your hardware too. And Live 10 was a lot more resource intensive than Live 9. Just know that Live 11 is a bit more resource intensive that Live 10. I've been using the beta since it was announced back in November and while I haven't put every new feature through its paces, I can say unequivocally that Live 11 is a solid upgrade from 10 and well worth your time. That's in addition to lots of little interface tweaks and updates to Push support.

#ABLETON LIVE 11 LITE PLUS#

The list of new features in Live 11 is long and impressive: Comping linked track editing MPE support expression editing live tempo following macro improvements updated devices and soundpacks five new devices, including a hybrid reverb and new pitch shifting plugin chance tools plus a host of improvements to Max for Live. The latest version of its incredibly popular DAW is out of beta and available to all. Ableton announced Live 11 in mid November and now it's finally here.

Ableton live 11 lite